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Awa Mally

View Awa Mally’s photos from Yeat’s concert in Minneapolis.


Photos: Yeat beams up at the Armory

You may already be a fan of Yeat, whether you know him for his unique style, or for his viral singles “Sorry Bout That,” “Monëy so big,” or “Rich Minion”. You may know him by one of his other aliases: Twizzy, Luh Geeky, Kranky Kranky, or Luh Tonkem. However you know him, Yeat has become one of the biggest names in rap. He has created his own language he uses in his songs and as part of his online persona. It takes a devoted Yeat listener to decipher his lexicon. Yeat himself said, "I don't understand myself, I don't fuck with nobody at all," on his song "Nun id Change”.

To understand Yeat and his music, you must pay close attention to his word choices. I have listened to Yeat’s five most popular studio albums twice and analyzed the lyrics to each song, about 10 hours of listening to Yeat. I watched his few interviews on the internet, I consulted his social media, r/yeat and even #yeatlations on TikTok.  With my newfound expertise in hand, let’s explore the lexicon of Yeat together.

Your ‘twin’, a close friend, so close you would call them your best friend, your bestie. 

Starting with maybe my favorite Yeat word, he uses this to refer to his besties. A very loving and wholesome Yeat word. Always love to see a new word for “best friend”. 

A big car, usually referring to a Mercedes G Wagon or  a Lamborghini Urus, an SUV, a ‘big boy’ car, a fast car, just any big car. 

If you imagine those toy construction cars little kids play with and how in public they point to them and say “tonka truck”, there’s something similar going on here. Yeat does the same thing with big, fast cars. Yeat is known to sport a diamond-encrusted chain with a Tonka truck on it.

(I eventually realized he mentions Tonka too many times to even include in this article) 

 “I will not go to the club unless we pull up in the Tonka.” 

A very, very high person. “High as a kite,” one might say. Can also be used as a verb to describe the act of becoming intoxicated. First popularized by Atlanta rapper Fabo.

(In a recent interview, Yeat himself said his favorite of his made-up words is ‘luh geeky’)

Comes from the word ‘Lil’, which is slang for ‘Little’, also sometimes is used in place of “the”

Fun fact: Yeat started off his rap career in 2015 with the name ‘Lil Yeat’ and eventually simplified it to just ‘Yeat’ in 2018.

“I’m a big dog, you are a luh puppy.” 

A large sum of money, some speculate $100,000 = 1 honeybun

“I heard his house cost him 5 honeybuns.”

Another common Yeat-ism heard across his discography is adding an -ey,  -ie, -eezy or an -elly to the end of a word. This is often done to contribute to a song’s rhyme scheme, but can be used in conversation for fun’s sake.

Here is how to use all of the words in a sentence together: 

 “I am going to drive a car with my friend to go have fun at a party.”

 “Me and luh twizzy gonna hop in the Tonka, pull up in Margielly-elly like it’s nothin’ honeybun (honeybunny).”

Yeat is always inventing new words and phrases for us to decipher. Each Yeat song is sure to confuse you at one moment or another, but that is the beauty of it all. Now that you have the knowledge of Yeat’s lexicon, you, too, can begin to better understand Yeat’s music. 

Joely Kelzer

Unpack the eccentric rapper’s unique lexicon with our resident Yeat expert Joely Kelzer.


Carbon Sound

Yeatology 101

Yeatology 101: Learn the vocabulary of Yeat

Each week, we add new music, older tracks, which are known as “Gold adds”, and tracks that might not fit our general format, but still deserve a place in rotation because they serve our mission of showing the depth, breadth, and influence of Black musical expression - These are known as “Variety adds.”

. If you make music and want it considered for rotation, 

 If you want to give feedback directly, reach out to me at jgreen@mpr.org.

Tune in to hear our host Sanni B. live on The Message from 10 AM to 1 PM Monday through Thursday!

Keep all these tracks in one place with the 

 Spotify playlist. This playlist is updated weekly with all the new adds. When that playlist is cycled with new tracks, the tracks live forever on the 

 playlist. That playlist contains all of the music that we've added since the week of July 11 in chronological order of when it was added. All of the tracks available on Spotify, at least.

“NA MONEY” feat. The Cavemen and Angelique Kidjo

Julian Green built and manages the music library for Carbon Sound and oversees content creation.  


Julian Green

All of the tracks added to rotation on Carbon Sound the weeks of April 10, 2023.


Image for New on Carbon Sound Spotify playlist

Natalia Toledo

New on Carbon Sound

Old on Carbon Sound

New Music on Carbon Sound - Week April 10, 2023

Rappers Key Glock and TiaCorine kept the crowd hot during a historic blizzard in Minneapolis. Click to view Awa Mally’s photos.


Photos: Key Glock and TiaCorine heat up The Fillmore

Minneapolis-based artist Essjay TheAfrocentricRatchet visited Carbon Sound's studio for an interview and live performance of three tracks. Watch the full video above and visit our YouTube channel for videos of her performances of “Butters,” “Dishwater,” and “BATGIRL.”

Subscribe to our YouTube channel for more!

Watch Minneapolis-based artist Essjay TheAfrocentricRatchet do an interview and live session in the lab with Carbon Sound.


Essjay TheAfrocentricRatchet sits in front of microphone

Essjay TheAfrocentricRatchet in The Lab with Carbon Sound

Essjay TheAfrocentric Ratchet - "Butters" (in The Lab with Carbon Sound)

Essjay TheAfrocentric Ratchet - "Dishwater" (in The Lab with Carbon Sound)

Essjay TheAfrocentric Ratchet - "BATGIRL" (in The Lab with Carbon Sound)

Essjay TheAfrocentricRatchet in the lab with Carbon Sound

The Twin Cities rapper aims to spread "truth, love, peace, freedom, and justice” through his music.


Lynyrd Skynyrd - Simple Man (Audio)

Lewiee Blaze wants to give you goosebumps

Jimmie Hodges - “You Got It” (Local!)

All of the tracks added to rotation on Carbon Sound the weeks of March 27, 2023.


New Music on Carbon Sound - Week March 27, 2023

The gifted multi-instrumentalist displayed his many talents in a career-spanning show in Minneapolis.


Sara Fish for MPR

Review: Masego gives electrifying performance at First Avenue

Singer-songwriter Kelela can make six years feel like an eternity. With last month’s release of her second LP, 

, Kelela has made her long-awaited return after a lengthy hiatus — and as a massive fan, it was well worth the wait. Atmospheric and immaculately produced, 

 arrived to substantial critical acclaim, not to mention a massive press run: A stint on the 

was bookended with glowing New York Times and Rolling Stone articles. 

The success is unprecedented, but extremely warranted. After 2013 mixtape 

 (2017), Kelela’s cerebral, unique mesh of electronic and R&B music has amassed a considerable 

. Pulling from a vast array of influences, including Janet Jackson, the Artful Dodger, and Massive Attack, Kelela speaks to a new generation of music lovers. As she embarks on her sold out tour, it’s all the more reason to examine her work.

, Kelela’s breakout 2013 mixtape, after hours spent combing the depths of Soundcloud and Bandcamp. At age 14 I was on the hunt for something, anything that piqued interest (and preferably something free for download).

, equal parts bracing and sweet, feels ahead of the curve even ten years on, gorgeous harmonies soaring over cutting synths and dystopian soundscapes. 

Funded by insurance money from a car accident

, the 13 track epic is money well spent, seamlessly blending R&B hooks with UK bass: “The vision is this 

 vocal over […] a grime track. [I wanted] the record to feel familiar and other-worldly at the same time,” Kelela noted in 

Even with Kelela’s later shift to more minimal, gauzier instrumentals, her honeyed vocals remain a throughline, rooted deep in R&B tradition. It’s what initially drew me to her — at times glacial and detached, others aching and desperate, her vocals echo the best of 90s divas. Kelela has even likened herself to “

.” It’s an apt, if humble, comparison. 

Thus, equally suited to both bedroom introspection and the club, Kelela’s work exists in a liminal, genre-fluid space. This malleability is purposeful, due in part to frequent collaborators and techno staples Asmara, Jam City, Arca, and Kaytranada. Every one of Kelela’s tracks is primed for a remix. 

“Arrangement is a very Black tradition,” Kelela shared earlier this year in a 

. “Black people can create from scratch, but then there’s also a deep-seated… tradition of repurposing and recreating new shit out of the tools that are available to us. Falling in love with an original album and then hearing it reinterpreted — it’s a very exhilarating experience.” 

She’s made plenty good on this promise. 

 her projects thus far has a remixed counterpart, with 

: “Before [‘Take Me a_Part, the Remixes’], I remember trying to explain what I’m trying to do. People were like: ‘really?’. Now it feels like a standard [in pop music]. Lady Gaga is doing a remix project! All the girls are doing a remix project. [With my remixes] I want to highlight the work of people who are making sick shit right now, and are marginalized.”

It’s a fascinating turn of events. Kelela’s sound, which draws from house, jungle, and techno, has primarily been shaped by the Black and brown community for decades, yet has only recently come into mainstream favor. See: Beyonce’s 

, the drum ‘n bass/UK garage stylings of TikTok sensation PinkPantheress. To Kelela’s point, pop stars far removed from these communities have started releasing slews of techno-tinged remixes, 

Though these developments are a testament to Kelela’s understated influence (Beyonce and Solange are purportedly 

), it also speaks to a greater trend of how the dance music scene has long failed marginalized artists. The 

 movement, of which Kelela is a proponent, seeks to remedy this issue, yet Kelela herself calls for more: Artist mentorship, legal help, touring assistance. 

In the past, Kelela has described herself as a 

 not only as an artist straddling the lines of R&B and electronica, but also as a second-generation Ethiopian growing up in the Maryland suburbs. “There was a layered reality from jump,” she said in a 

. “There was never a moment where I didn’t have to split my brain… I’ve always translated across worlds. It’s about reading space and people because you’re growing up in a society where it’s generally unsafe for you as a Black girl.” 

Many credit her ingenuity as a product of the immigrant experience, her genre-meshing only natural after a lifetime of code-switching. Personally? I find it reductive, and clearly so does Kelela — 

 marks a turning point for Kelela both musically and politically. She pointedly prioritizes working only with producers and musicians of color, embracing a stance of 

 The bridge she once was has long since burned.

It is difficult to feign journalistic neutrality when Kelela has so thoroughly scored my life; the flurried essay writing sessions in high school and college, the unyielding isolation of lockdown, the requisite going out mix. I sneak her onto countless playlists, force-feeding friends cuts from 

Aside from Kelela’s clear technical skill as a producer and vocalist, what gets to me the most is her fierce commitment to vulnerability. It’s why she’s so deeply embedded in my life — I’ve yet to find someone who so beautifully articulates the complexities of relationships, who so uniquely vocalizes the blistering, sweet ache of love won and lost. Songs “Bluff” and “Cherry Coffee” chronicle relationships in deep decay, “Contact” evokes a party buried under a thick haze. Her music conjures up distinct imagery: Crumpled bed sheets, the thrum of bass in a club, a long drive home. 

“[With] the larger context of the world [my music] is living in: [it is] radical for me to be so vulnerable and tender in a world that feels so unsafe,” Kelela detailed in the aforementioned Vice interview. 

“Where can I go?” Kelela wonders on “Altadena,” 

s glimmering closer. Though I don’t have the answer, I know that wherever she goes, I will follow. 

Fatima Rahman

Kelela speaks to a new generation of music lovers. As she embarks on her sold out tour, it’s all the more reason to examine her work.


Best of Kelela - By Fatima Rahman

ALICE CHICHE/AFP via Getty Images

Kelela changed my life

MIKE, 454, and Niontay shared the stage at Underground Music Cafe in Minneapolis on Thursday, March 16. Watch all three performers in Carbon Sound Correspondent Liam Armstrong’s video above.

Read Carbon Sound Correspondent Joely Kelzer’s 

 and tune in to Carbon Sound 24/7 to hear songs like 

Liam Armstrong

Watch Carbon Sound Correspondent Liam Armstrong’s video of the underground rap trio here.


MIKE and 454 at Underground Music Cafe 15

Stories

Photos: Yeat beams up at the Armory

Yeatology 101: Learn the vocabulary of Yeat

New Music on Carbon Sound - Week April 10, 2023

Get the Carbon Sound app

Photos: Key Glock and TiaCorine heat up The Fillmore

Essjay TheAfrocentricRatchet in the lab with Carbon Sound

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New Music on Carbon Sound - Week March 27, 2023

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Review: Masego gives electrifying performance at First Avenue

Kelela changed my life

Video: MIKE, 454, and Niontay LIVE in Minneapolis | 3.16.23

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